Tension is mounting in the blogos­phere ahead of the release of Die Antwoord’s much anticipated, much tweeted new album <em>Ten$ion</em>.

The South African Library is fortunate to house a full collection of posters produced during World War II.

Photographer Pieter Hugo slyly inverts his usual exploration of “the other” and presents his friends in a series of provocative "anti-­portraits".

The Gordon Institute of Performing and Creative Arts presents the <em>Beautiful Project</em>, which calls into question our definitions of beauty.

What sets Cameron Platter’s work apart is his distinct aesthetic, non-conformist approach and wonderful humour.

Binyavanga ­Wainaina launches his memoir, <em>One Day I Will Write About This Place</em>, this weekend.

Join Datarock in celebrating the pervasive ­amorality of capitalism and the debt crisis when they headline Vans Off the Wall Music Night.

Despite their different styles and approaches to artmaking, Samson Mnisi and Sam Nhlengethwa share a similar career trajectory.

Kyle Shepherd guides the SA jazz songbook into beguiling new directions, and Black Rebel Motorcycle Club play at the Synergy Live Festival.