Andrew Gilder

Last Friday’s opening of the South African Ballet Theatre’s world premiere of Denmark’s Kenneth Greve’s interpretation of <i>Hamlet</i> provided an evening of lavish entertainment, coupled with artistic highs and lows, writes Andrew Gilder.

A large slice of Gregory Maqoma’s repertoire is devoted to answering: “Who am I in this new South African set-up?” Predictable for a young black artist, one might argue except that this choreographer has an unpredictable take on the world. Andrew Gilder looks at <i>Ketima</i>

Master guitarists Steve Newman and Tony Cox celebrate two decades of playing together, writes Andrew Gilder.

Cultural guerrilla Zebulon Dread dumps the streets and takes to the theatre, writes Andrew Gilder.