Kim Gurney

Tall Horse is a richly textured work of diverse traditions, writes Brent Meersman. Watching the production is to experience one of those rare moments where an extraordinarily ambitious and precarious concept comes together with beauty and sensitivity.

With new twists to the ongoing saga, it appears that the new arts minister has inherited a hot potato in the shape of the National Arts Council. Kim Gurney investigates.

The real results of the eKapa sessions will only be experienced at the Cape Biennial of 2006, writes Kim Gurney.