Miles Keylock

Lisa Brice is a consummate poet of the unseen.

Blaq Pearl is one of Cape Town’s most versatile artists.

Race continues to dominate politics in the Cape and is the context for the group exhibition <em>Ingekleur: Outside the Lines</em>.

The grapes are in and it is time for the annual Franschhoek ­Oesfees at Solms-Delta wine estate.

Esther Mahlangu needs no introduction. Her new retrospective exhibition seeks to extend her legacy.

His voice might be his calling card, but Vusi Mahlasela’s greatest gift is his ability to cut across geographical, cultural and generational divides.

In the second half of photographer Guy Tillim’s <em>Second Nature</em> project he continues the exploration into landscapes.

A Taste of Sónar music festival features a mix of artists loosely assembled for their innovations in electronic music.

The group exhibition <em>Outside The Lines</em> attempts to expand the framework of abstraction beyond its formal perimeters.

10 years and countless side projects later, the original Lark crew are making a comeback.

American artist Mark Dion has taken a residency at the Michaelis School of Art.

Since its inception in 2006, the On the Edge of Wrong festival has consistently challenged established musical identities and categories.

Public performance and invisibility, social and political boundaries and the artist’s role in society are themes that artist Donna Kukama tackles.

Abdullah Ibrahim is back in his hometown for a not-to-be-missed concert.

The <em>World Press Photo 2011 Exhibition </em>is both a ­celebration of the medium and a startling portrait of our ­contemporary world.

Up the Creek is part of a growing trend: rock festivals aimed at those of the X generation yearning to relive the rock authenticity of their youth.

Local vocalist Inge Beckmann is a master of pop-cultural seduction, provocation and innovation.

They employ vastly different mediums and explore divergent themes, but ­Viviane Sassen and Nandipha Mntambo share a preoccupation with perception.

Catch South African-born saxophonist Ntshuks Bonga in a rare performance on local soil.

Simon Stone’s new series of paintings, <em>Thrown Together,</em> is an exploration of chance encounters.

When young, bit-chomping, post-bop quartet Tribe dropped their album, <em>Our Language</em>, almost a decade ago, it was the start of things to come.

It’s tough being a creative jazz musician working a circuit where venues prioritise entertainment over art.

Photographer Nontsikelelo Veleko’s haunted holiday snapshots of the Canary Islands set the tone for the Goodman’s Summer Show.

Tension is mounting in the blogos­phere ahead of the release of Die Antwoord’s much anticipated, much tweeted new album <em>Ten$ion</em>.

The South African Library is fortunate to house a full collection of posters produced during World War II.

Photographer Pieter Hugo slyly inverts his usual exploration of “the other” and presents his friends in a series of provocative "anti-­portraits".