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A rich musical feast
<i>Love and Green Onions</i> is a rich musical feast enlivened by great performances and some fine, infectious songs, writes Guy Willoughby.
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Zippin’ up his boots
Accompanied by a group of unsung folk musicians, David Kramer has gone back to his roots, writes Guy Willoughby.
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Front-rankers wank in the front row
Now in its fifth year, this hugely successful funny-folk festival has made marvellous strides, writes Guy Willoughby.
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The music of Fugard
Athol Fugard’s <i>Valley Song</i> has been set to music by composer Thomas Rajna, writes Guy Willoughby, the instigator of the project.
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No sitting on the fence
Peter Hayes’s one-man drama The Fence takes a look at a famous gay hate murder in the United States, writes Guy Willoughby.
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Bravo!
Not even New Age clichés have put a damper on the opera season of the Spier Summer Arts Festival, writes Guy Willoughby.
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Let’s get physical
Has physical theatre given our performing arts a well-deserved kick in the pants? Or is it merely an exercise in self-indulgence, asks Guy Willoughby.
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African magic
Nelson Mandela’s favourite tales come alive on stage, thanks to Janice Honeyman’s obsessive inclinations, writes Guy Willoughby.
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Retreat into the heart of the city
Cape Town’s Winchester Mansions Hotel offers guests the opportunity to experience first-rate service in opulent surroundings – all within a stone’s throw of the bustling V&A Waterfront development, writes Guy Willoughby.
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Bristling energy
<i>At Her Feet</i> is a brilliant, precocious theatrical achievement — that doesn’t know when to stop, writes Guy Willoughby.
